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If you catch one of his Instagram stories, you’ll see Austin Paz as a blur on inline skates, camera in hand, or behind a drum kit, sometimes all in the same day! He doesn’t just define himself by one title.
On his Instagram profile, you’ll find: Digital creator. Blader. Drummer. Photographer. Filmmaker.
He also serves as co-host of the podcast Jump Street Podcast and is the founder of the production outfit Cinemaroll Films.
And while it’s typical for creators to pick a lane often and stick to it, Austin thrives in several, and does so without the usual pretense. This story walks through how he began, what he’s doing now, and how his various interests come together to form a creative whole.
Starting young on the blades
According to his profile on Rollerblade, Austin has been skating since he was eight or nine years old. His date of birth is listed as November 27, 1987, and his location as Staten Island, New York. He says his inspiration was simply watching his older brother skate with friends and wanting to keep up.
Skating then became more than a weekend hobby for Austin; it turned into a discipline, a way of thinking about movement and environment. In his own words, he says, “I feel like I’m skating now better than ever… I still haven’t peaked.”
It’s that mindset of continuous improvement that carries over into his other creative roles.
Building his visual language
Photographer and filmmaker credits are part of Austin’s bio, but it’s how they mesh with his skating and music that gives them weight. With his production brand Cinemaroll Films, he doesn’t just shoot polished final wedding pieces but also captures the texture of candid moments, the rhythm of motion, and the blur of life in transit.
Browsing through his feed, you’ll find emotionally candid frames of couples and glimpses of wedding celebrations, each one distinctive and memorable in its own unique way. His visual style is raw and emotion-driven. It also often documents moments and significant scenes with a freshness untouched by aesthetic polish.
For someone used to skating fast, filming gives him a slightly slower pace to observe: the light at sunset, the swaying of the trees to the breeze, the bride and groom kissing in space as time stands still.
Beating out a creative rhythm
While not as widely publicized as his skating or filmmaking, Austin’s drumming is another key pillar in his life. His rhythm background complements the motion-based activities he pursues. Think of it this way: wings on his blades, shutter in his hand, sticks at his side.
In the creative process, he speaks in beats and frames. Whether he’s shooting a skate segment or editing a short film, the sense of timing, i.e., when the drop hits, when the wheel hits the rail, how the light shifts, is integral. His musical sense gives him that.
It also broadens the types of projects he can pitch. Across photography, film, or podcasting, that underlying understanding of tempo and mood makes a world of difference.
Podcasting and audio storytelling with Jump Street
As co-host of the Jump Street Podcast, Austin moves into the realm of spoken word and conversation.
Podcasting requires a different set of skills: presence, listening, and narrative flow. For a creator who’s used to action and visuals, podcasting offers a space to reflect and connect.
On the show, he discusses topics ranging from skate culture to film and photography techniques, often bringing guests who share that cross-disciplinary mindset. Listeners don’t only get the finished interview; they get texture, e.g., the ambient skate park noise, the behind-the-scenes anecdote, the camera-kit chatter, which gives the work more personality.
With over-produced podcasts being so commonplace, the natural tone of Jump Street stands out. It feels less like a studio production and more like two friends kicking around ideas while on a ride.
The intersectionality of all his roles
The power of Austin’s work lies not simply in being good at each craft individually but in interweaving them. For example:
- He shoots a skate segment for Cinemaroll Films, and, because he’s actively skating, he understands where the camera should go.
- The drumming background means he’s aware of pacing in a sequence, such as when to switch angles and when to hold a shot.
- His podcasting brings an audio dimension, helping him think about how a scene will sound, not just how it will look.
This interconnectedness means his output isn’t compartmentalized. It’s integrated. His skills feed one another, producing more well-rounded results. For other creators, that offers a lesson: don’t wait to pick one lane. Skills you pick up in one field often translate unexpectedly into another.
Challenges and how Austin meets them
No profile worth its salt ignores the friction. For Austin, juggling multiple creative identities comes with its own burden: time constraints, shifting mental gear between skates-camera-kit-mic, and the pressure of staying relevant in fast-moving scenes.
He handles that by consistency and curiosity. On the Rollerblade skating page, he said, “Trying new things always helps… my skating changed the most in recent years when I tried ‘big wheels’ and Wizard Skating.”
Applying the same principle elsewhere means he’s not settling into a comfort zone. Instead of repeating the same filming format, Austin tries new sensors or lenses. Instead of the same drum style, he experiments.
Another challenge: staying true to his street-based roots while engaging broader audiences. His skating started locally, but his filmmaking now reaches global platforms. The balance he strikes is his preservation of authenticity while scaling reach. For professionals and aspiring creatives alike, that’s a useful model.
What’s next on Austin’s radar
With a launchpad like Cinemaroll Films and a growing podcast footprint, Austin’s next chapter appears poised for expansion. A few possible directions he might take include:
- A feature film or documentary that blends skating culture with broader social themes
- A photographic monograph capturing urban motion
- A larger-scale podcast run that brings his creator network into focus
Given Austin’s track record, any move he makes is likely to reflect his style: grounded, action-oriented, visually tight, and rhythmically aware.
Why his story matters for creatives
If you’re a designer, filmmaker, skater, or musician reading this, here’s what you can pull from Austin’s journey:
- Don’t silo your interests. Multiple creative identities can fuel each other.
- Motion (skating), visuals (photography/film), and sound (drumming/podcasting) all inform each other in surprising ways.
- Authenticity matters. The raw edge of street skating or unscripted podcast talk strengthens your work more than forced polish.
- Never stagnate. Trying new tools, setups, or formats keeps your work fresh.
- Storytelling applies everywhere. Whether you’re filming a skate trick, capturing a portrait, or moderating a podcast, you’re telling a story. Recognize that and let it guide decisions.
Austin Paz’s path is not a linear success story. It’s a web of overlapping passions: the freedom of skating, the precision of drumming, the observation of photography, and the narrative arc of filmmaking and podcasting.
What makes his work compelling is not just the what (good skating tricks, solid shots, strong beats) but the how and why, especially his willingness to move between disciplines, to stay curious, and to keep putting work out there.
For any creator looking to break out of a single lane, Austin’s story offers an actionable blueprint: be active in your fields, merge your interests, and use each craft to inform the next.
The next time you see his camera rolling, his wheels spinning, or his sticks striking, you’ll know there’s more going on than meets the eye.