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Massuma - The Story Behind His Debut Single, Contesto
What first sparked your journey into music, and how did it lead to where you are today?
It all started back in high school with a second-hand keyboard I picked up at a car boot sale and a cracked copy of FL Studio. At the time, grime was everywhere, so I began making grime instrumentals. My love for music kept pushing me forward, and over time it naturally led me to experiment with other genres.
Do you play any instruments? If so, which one is your favorite—and why does it connect with you the most?
I taught myself piano by ear, and it’s become an essential tool for production. It gives me a way to translate ideas straight from my head into something tangible.
If you had to pick your top 3 singles for new fans to hear, which ones would they be—and why?
Right now, I’d say start with Contesto, then Amazin’, and finally Blonda. Contesto is out now, and the other two are dropping soon. Together they show the range of where I’m heading as an artist.
Every song has a story. Can you share the inspiration or story behind each of those tracks?
Contesto began with a sample from “Si No Le Contesto,” which was my first girlfriend’s favorite song, she came from a Latin background. Building on that vocal and turning it into an Afro House record gave it a new life. The other two tracks aren’t out yet so can’t say too much for now, but they will definitely be speaking for themselves.
Has music always been your #1 passion, or did something else almost steal your heart first?
Music’s always been a constant for me. There was never really anything else that came close.
Outside of music, what other passions or causes fuel your creativity and drive?
Travel has been a huge influence, experiencing different places and cultures keeps my perspective fresh and inspires new sounds.
What hobbies or everyday things keep you grounded when you’re not writing or performing?
I like hitting the gym or playing football with friends. And I enjoy checking out other DJs’ sets, it’s important to stay connected to what’s happening on the dance floor.
Where can fans catch you live next? Any upcoming tours, shows, or special appearances?
I’ve got shows lined up in Paris, Madrid, London, and Curaçao. Really looking forward to bringing the music to new crowds.
What new music, projects, or surprises should we be looking out for from you in the near future?
Blonda will be my first solo release on MoBlack’s label, and I’m really excited for people to hear it. That’s going to be another milestone in my afro house journey.
Collabs are 🔥—are you currently collaborating with anyone, or is there a dream collab on your radar?
I’ve just finished a big collaboration with David Mackay and Idaly on their track Amazin’. And in the future, I’d love to work with Carlita and Daecolm, they’re good friends, and I really respect what they do.
About Me – Massuma
Massuma’s journey into house music wasn’t a straight line, it was a long grind powered by passion, reinvention, and raw talent. The London-born artist cut his teeth as a grime producer and hip hop DJ before stepping into his new identity as Massuma: a boundary-pushing name in Afro house with a sound that’s as worldly and soulful as it is rooted in underground club culture. His breakout single “Contesto” became an instant favorite across dancefloors, peaking at #2 on the Afro House charts and earning support from key tastemakers like Adam Port, Rampa, &ME, Carlita, Shimza, and Alok. Now, with a wave of unreleased tracks on the horizon, global bookings rolling in, and co-signs from the scene’s elite, Massuma is stepping confidently into his next chapter.
For Massuma music was always more than just a hobby, it was his passion from early on in life. At just 12 years old, Massuma started producing grime instrumentals on Fruity Loops, bringing them to school the next day for friends to rap over. That DIY spirit never left. During university, he began running his own events and taught himself how to DJ, initially just to play the parties he was throwing. His early gigs were far from glamorous: small bar sets and South Asian weddings that paid just enough to keep the dream alive. But through years of grinding, hustling, and networking, he eventually secured a coveted residency in Camden, which opened the doors to London’s Mayfair club scene.
The era of performing under the name Sam Savage marked a crucial phase in his artistic growth. Deeply immersed in hip hop, he spent years perfecting his technique, learning on vinyl and studying old-school legends like Jazzy Jeff. But as the hip hop DJ scene began to stagnate, so did his sense of purpose. “I had hit the ceiling,” he admitted. “There was no higher to go in the urban music world of DJing.” That realization pushed him toward the rebrand and a full reset, and now he reemerged as Massuma, allowing him to follow his growing passion for house music.
The sound of Massuma draws inspiration from all corners of the globe, it’s a reflection of his eclectic taste and love for music in all its forms. From UK funky house to Afro rhythms, and from underground European grooves to deeply emotional vocal melodies, his sets and productions are full of contrast and color. “Contesto” became the turning point, it’s a track built around a nostalgic sample from one of his first ever girlfriend’s favorite songs. The melody had been stuck in his head for years, and one day, it just clicked. Though originally produced while part of a Parisian duo called Dosamis, the official release was already under the name Massuma, while he let the other half of the duo keep the name Dosamis.
Massuma’s journey has never been about chasing hype, status, or chart positions. From the early days of producing grime beats in his bedroom, every step has been fueled by a genuine love for music. His years of grinding weren’t about recognition or fame but about staying connected to the craft and constantly evolving. Now performing on global stages and preparing to release a wave of new music, he sees this moment not as the finish line, but as part of a journey he’s always dreamed of living.
